"You didn't ask him?" "No. He told me nothing but the great gawk of a fact. I saw him but for three minutes." She was silent again, and Fleda, as before some lurid image of this interview, sat without speaking. "Do you wish to appear as if you don't care?" Mrs. Gereth presently demanded.!

"In the first place, eh? And what does he mean in the second?" At this our young lady smiled. "Yes, because it was a disappointment. She had been so sure."

"That he would give his ears to get you?" Mrs. Gereth broke in. "I had a visit from Mrs. Brigstock." Blankness was for a moment on Mrs. Gereth's brow; then light broke—she visibly remembered the scene in the breakfast-room after Mona's night at Poynton. "Because I contrasted you—told him you were the one?" Her eyes looked deep. "You were—you are still!" These arts, when Mrs. Gereth's spirits were high, were handled with a brave and cynical humor with which Fleda's fancy could keep no step: they left our young lady wondering what on earth her companion wanted her to do. "I want you to cut in!"—that was Mrs. Gereth's familiar and comprehensive phrase for the course she prescribed. She challenged again and again Fleda's picture, as she called it (though the sketch was too slight to deserve the name), of the indifference to which a prior attachment had committed the proprietor of Poynton. "Do you mean to say that, Mona or no Mona, he could see you that way, day after day, and not have the ordinary feelings of a man?" This was the sort of interrogation to which Fleda was fitfully and irrelevantly treated. She had grown almost used to the refrain. "Do you mean to say that when, the other day, one had quite made you over to him, the great gawk, and he was, on this very spot, utterly alone with you—?" The poor girl at this point never left any doubt of what she meant to say, but Mrs. Gereth could be trusted to break out in another place and at another time. At last Fleda wrote to her father that he must take her in for a while; and when, to her companion's delight, she returned to London, that lady went with her to the station and wafted her on her way. "The Morning Post" had been delivered as they left the house, and Mrs. Gereth had brought it with her for the traveler, who never spent a penny on a newspaper. On the platform, however, when this young person was ticketed, labeled, and seated, she opened it at the window of the carriage, exclaiming as usual, after looking into it a moment: "Nothing—nothing—nothing: don't tell me!" Every day that there was nothing was a nail in the coffin of the marriage. An instant later the train was off, but, moving quickly beside it, while Fleda leaned inscrutably forth, Mrs. Gereth grasped her friend's hand and looked up with wonderful eyes. "Only let yourself go, darling—only let yourself go!"